Music Appreciation Test 2 Study Guide Example For Students

Music Appreciation Test 2 Study Guide The word baroque has at various times meant all of the following except naturalistic Modern historians use the term baroque to indicate a particular style in the arts All of the following were baroque painters except Isaac Newton Baroque painters exploited their materials to expand the potential of ____ to create totally structured worlds. All answers are correct: color, ornament and detail, depth Baroque style flourished in music during the period 1600-1750 The baroque, as a stylistic period in western art music, encompassed the years 1600-1750 The two giants of baroque composition were George Frideric Handel and Johann Sebastian Bach All of the following were major baroque composers except Wolfgang A. Mozart Which of the following statements is not true? A. Baroque art is a complex mixture of rationalism, sensuality, materialism and spirituality. B. The late baroque period was one of the most revolutionary periods in music history. C. Early baroque composers favored homophonic texture over the polyphonic texture typical of Renaissance music. D. Regardless of form, baroque music features contrasts between bodies of sound. B. The late baroque period was one of the most revolutionary periods in music history. One of the most revolutionary periods in music history was the early baroque The early baroque was characterized by homophonic texture The early baroque period spanned the years 1600-1640 Monteverdi, an early baroque composer, strove to create music that was passionate and dramatic The early and late baroque periods differed in that composers in the early baroque favored homophonic texture The middle baroque was characterized by a diffusion of the style into every corner of Europe The middle baroque period spanned the years 1640-1690 Composers in the middle baroque phase favored writing compositions for instruments of the ________ family. violin By about _______, major or minor scales were the tonal basis of most compositions. 1680 Instrumental music became as important as vocal music for the first time in the ________ period. late baroque The late baroque period spanned the years 1690-1750 Affections in baroque usage refers to emotional states or moods of music A baroque musical composition usually expresses _________ within the same movement. one basic mood The baroque principle of _______ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music. unity of mood The compelling drive and energy in baroque music are usually provided by repeated rhythmic patterns Baroque melodies often are elaborate and ornamental Baroque melodies give the impression of dynamic expansion Melodic sequence refers to the successive repetition of a musical idea at higher or lower pitches A characteristic often found in baroque melodies is a short opening phrase followed by a longer phrase with an unbroken flow of rapid notes Terraced dynamics refers to the sudden alteration from one dynamic level to another In the baroque era, dynamics consisted mainly of sudden alterations between loud and soft called terraced dynamics The main keyboard instruments of the baroque period were the organ and the harpsichord A popular keyboard instrument in which sound was produced by means of brass blades striking the strings was the clavichord The most characteristic feature of baroque music is its use of basso continuo A bass part together with numbers (figures) that specify the chords to be played above it is called basso continuo The orchestra evolved during the baroque period into a performing group based on instruments of the ________ family. violin The word movement in music normally refers to a piece that sounds fairly complete and independent but is part of a larger composition Which of the following statements is not true? A. A large courrt during the baroque period might employ more than 80 performers, including the finest opera singers of the day. B. Audiences in the baroque period were most anxious to hear old familiar favorites, and did not care for new music. C. In Italy, music schools were often connected with orphanages. D. Church musicians in the baroque period earned lower pay and had less status than court musicians. B. Audiences in the baroque period were most anxious to hear old familiar favorites, and did not care for new music. A large court during the baroque period might employ about ________ performers. 80 The music director of a baroque court was usually not responsible for publicity in reaching an audience Frederick the Great, king of Prussia, was a All answers are correct: flutist, general, composer The position of the composer during the baroque period was that of a high-class servant with few personal rights In the baroque period, the ordinary citizens opportunities for hearing music usually came from the church In Italy, music schools were often connected with orphanages To get a job, a musician had to pass a difficult examination A concerto grosso most often has ______ movement(s). three The large group of players in a concerto grosso is known as the tutti The concerto grosso most often has three movements whose tempo markings are fast, slow, fast The first and last movements of the concerto grosso are often in _____ form. ritornello Which of the following statements are not true? A. A concerto grosso normally involves two to four soloists, and anywhere from eight to twenty or more musicians for the tutti. B. A concerto grosso persents a contrast of texture between the tutti and the soloists, who assert their individuality and appeal for attention through brilliant and fanciful melodic lines. C. A concerto grosso normally involves a large group of soloists accompanied by an equal number of supporting players. D. The first and last movements of a concerto grossi are often in ritornello form, a form that features the alteration between tutti and solo selections. C. A concerto grosso normally involves a large group of soloists accompanied by an equal number of supporting players. The solo instruments in Bachs Brandenburg Concerto No. 5 are the _______, violin and harpsichord. flute Bachs Brandenburg Concerto No. 5 is unusual in that it gives a solo role to the harpsichord A musical ornament consisting of the rapid alteration of two tones that are a whole of half step apart is a trill A polyphonic composition based on one main theme is the fugue The main theme of a fugue is called the subject When the subject of a fugue is presented in the dominant scale, it is called the answer In many figures, the subject in one voice is constantly accompanied in another voice by a different melodic idea called a(n) countersubject Transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called episodes ________ is a musical procedure in which a fugue subject is imitated before it is completed. stretto A _______ is a single tone, usually in the bass, that is held while the other voices produce a series of changing harmonies against it. pedal point Turning the subject of a fugue upside down, or reversing the direction of each interval, is called inversion Presenting the subject of a fugue from right to left, or beginning with the last and proceeding backward to the first note, is called retrograde Presenting the subject of a fugue in lengthened time values is called augmentation Presenting the subject of a fugue in shortened time values is called diminution Very often an independent fugue is introduced by a short piece called a(n) prelude An _________ is a play, set to music, sung to orchestral accompaniment, with scenery, costumes and action. opera The text, or book, of a musical dramatic work is called the libretto Which of the following statements is not true? A. The terms ensemble and chorus are synonymous. B. Voice categories in opera are divided more finely than in other musical genres. C. Operas may contain spoken dialogue, but most are sung entirely. D. Opera soloists must create a wide variety of characters, and so need acting skills as well as vocal artistry. A. The terms ensemble and chorus are synonymous. A song for solo voice with orchestral accompaniment is called a/an aria ________ refers to a vocal line that imitates the rhythms and pitch fluctuations of speech. recitative A _________ is a singer with a low range who usually takes comic roles. basso buffo A _________ is a singer with a very low range and powerful voice, who usually takes roles calling for great dignity. basso profundo A(n) _________ is a musical number for two solo voices with orchestral accompaniment. duet A(n) ___________ is an operatic number involving three or more leading singers. ensemble The ____________ is the person who beats time, indicates expression, cues in musicians, and controls the balance among instruments and voices. conductor An ____________ is an orchestral composition performed before the curtain rises on a dramatic work. overture Members of the Camerata wanted to create a new vocal style based on the music of the ancient Greek tragedies The members of the Camerata wanted the vocal line of their music to follow the rhythms and pitch fluctuations of speech Most early baroque operas were based on Greek mythology and ancient history Which of the following statements are not true? A. Most early baroque operas were based on Greek mythology and ancient history. B. The members of the Florentine Camerata based their theories on actual dramatic music that had come down to them from the Greeks. C. The members of the Florentine Camerata wanted to create a new vocal style modeled on the music of ancient Greek tragedy. D. Polyphonic was rejected by the members of the Florentine Camerata because different words sounding simultaneously would obscure the text. B. The members of the Florentine Camerata based their theories on actual dramatic music that had come down to them from the Greeks. The first opera house in Europe to offer entry to anyone with the price of admission opened in 1637 in Venice The earliest opera that has been preserved is Jacopo Peris Euridice The stage machinery of baroque opera bordered on the colossal